A "Frankenstein" Design

This card from 1971 features a design that has a lot of borrowed elements:

This Ernie Banks card is part of Topps' Greatest Monets set. Besides the black border used in that year's base set, the action photo has the deckled edge seen in 1969's insert set (featured here last week) and the"head shot" is borrowed from the 1970 and '71 Sratch-Offs.

Even the back is borrowed, as Topps went with the "newspaper story" many times over the years.

Players "Larger Than Life"

Here's a card from a set with a unique design:

This card is from the 1933 DeLong set. The design has been used again in modern sets, but basically features a black-and-white player image in front of a generic stadium design that makes him appear larger than life.

There are 24 cards in the set, and 15 of the players are Hall of Famers, which gives a nice representation of the era's stars. There's no Babe Ruth card, however, which keeps the set price lower than it might be. The key card features Lou Gehrig.

The backs feature tips on playing the game from Austen Lake. He was a Boston-based journalist of the era who also contributed his writings to the backs of the 1934-'36 Diamond Stars and 1935 National Chicle football sets.

T200 Fatima -- A Glimpse

(Much of the info here is lifted from this page on the Vintage Baseball Cards Website, but I wrote that. So I give myself permission to copy it...) 

 T200 Fatima -- Detroit Tigers Team

What you see here is one of the earliest "team cards" ever made. While a staple of Topps sets from 1956-'81, they weren't pioneers when it came to sticking an entire team onto one card.

Essentially an issue of team photos for each of the 16 teams then in the major leagues, T200 cards are found in two sizes. The regular cards, which were included in boxes of Fatima cigarettes, were 2 5/8” by 4 ¾”. A larger-sized version of the same 16 teams was offered through the mail in exchange for 40 coupons. The larger cards are much more rare and valuable than the smaller ones. For whatever reason, the larger cabinet-sized photos weren't assigned their own separate number in Jefferson Burdick's American Card Catalog. Instead, larger cards are known as T200 Premiums by hobbyists.

Rather than being a lithograph on cardboard like most T-series cards, T200 cards are glossy photographs on paper stock. Each player, manager and mascot is identified by name, either above their heads or inside a small box below the assembled group. At the bottom of the card, a Fatima ad splits the team's city and league names. Card backs feature the details of the redemption offer for the larger-sized cards.

These cards were issued in 1913, which was very late in the tobacco card era. The most notable card in the set featured the Pittsburgh Pirates and Honus Wagner, whose presence on a tobacco card should be interesting to the collectors saying he refused to appear on anything that promoted smoking. The format and timing also allowed many players who never appeared on their own cards to be featured. However, a couple names (like Herman of Cincinnati and Inglis of the Cubs) are unknown players.

There is a varying level of scarcity among the smaller-sized cards. Boston N.L. is the most diffcult, with New York A.L and St. Louis A.L. club slightly less scarce, with Detroit and St. Louis N.L. almost as difficult. On the other hand, Philadelphia A.L., Boston A.L., New York N.L., Brooklyn, Cleveland and Cincinnati are the most common. Among the larger-sized premium cards, there aren't any levels of scarcity, other than the fact that they're all scarce (and there fore valuable).

Q&A -- "Looks Like a Regular Picture"

 Here's an email I received last week from a lady named Patty:

Q:

"(I have) 3 cards. They are  #2 of 33 Boog Powell; Willie Horton #9 of 33; Maury Wills #24 of 33.

They look like regular pictures with signed names in blue ink. 

They just have a name and # on back with the words T.C.G. PRTD.IN U.S.A."

A:

Fortunately, having the numbers is a big help here...and yes, I can identify your cards. What you have are 1969 Topps Deckle Edge cards. Here's an example:

As you can see from Roberto Clemente's card from the set, they're black & white pictures that have been given a "scalloped" effect on their edges (or, as Patty says above, they "look like regular pictures," as that style was popular among snapshots taken in the era. A facsimile autograph in blue ink has been added to the front of the card.

The backs are mostly plank, except for a little bit of info along the bottom:

Inside a box, there is a name and a card number, along with the manufacturer's info Patty mentioned in her email.

These cards were included as inserts inside wax packs in 1969, which makes them fairly common. While they're not overly expensive, they are pretty easy to build a base set out of and represent the first complete set from before my birth that I was able to put together.

There are actually 35 cards in the set, however. With 33 total cards, there was at least one player from each of the 24 teams in the league at that point, even though the team itself isn't specifically named in the design. When two of the players were traded, Topps substituted them for former teammates (albeit it by switching the numbers) in order to keep the balance.

As a result, card 11 either shows Hoyt Wilhelm or Jim Wynn and card #22 has either Rusty Staub or Joe Foy. Wilhelm and Foy were both Royals, and Staub and Wynn were both shown as Astros. The later additions -- Foy and Wynn -- are the scarcer versions, but aren't too hard to find.

They're Not "Dolls," They're Action Figures...

Today's entry comes from the toy store:

This is a 1969 Transogram Tommy John. There were 60 plastic player "statues" that were available in toy stores across the country. The back of the box had a standard-sized card (provided the kid wasn't too careless with the scissors):

(The autograph here is a real one that was on the box. There is no facsimile autograph on the card itself). Needless to say, a complete box -- signed by the player or not -- is much more valuable than the card itself.
 
 In 1970, Transogram continued the line, but placed three players together into a single package. They also issued two sets. One commemorated the previous year's World Series Champions:

There were five "series" of three-player Mets packages, and three cards on the back: 
 

The cards are a little bit larger this year, which helps to differentiate those that have been clipped apart due to having the same design from the previous year.

There was also a set of ten "series" of players from the other teams as well:

The three players above are "new" in 1970. The other 27 players all appeared in single boxes during 1969.

They're Coming Right at Me!

While collectors sometimes know 1970-'83 Kelloggs' cards by the "Xograph" name that
appears on the backs, that was actually the name that was given to the process of using several layers to achieve a "3D" effect on the cards. While they were neat, Topps actually debuted the process two years earlier:

In fact, the "Xograph" name is in the lower left corner. And you can see the "dot" element that was part of the design of the base Topps set in both 1968 and '69.

This design has found its way into more modern collectors' hands as an insert set along with last year's Topps Lineage, but was originally used for a test set in 1968. Essentially, a sharp player image was added to an intentionally blurry stadium background, and the "ribbed" plastic front gave it the appearance of a 3D image when it was moved around.

However, production was limited and distribution was scarce, so these cards command a pretty hefty price tag today. The Roberto Clemente card shown above is the most valuable in the 12-card set, selling for thousands of dollars in top grade. (These images aren't my own cards, though; these belong to another collector).

Clemente's card exhibits the same type of cracking that plagues Kellogg's cards, due to the way that the plastic coating of the image can shrink over time. The Bill Robinson card below shows it as well:

Due to the "test" nature of these cards, the backs are completely blank.

Names, Tags, Labels and Slang

My last blog entry featured a link to this page of hobby-related slang used by members of OBC, a group of "old school" style collectors that happens to include me. That list includes several "names" given to refer to certain sets.

For example:

1955 Bowman is referred to as the "TV set" for obvious reasons.

 "Horizontals" refer to 1960 Topps, although I argue that 1955 and '56 Topps should also have that name. Especially when you consider that not all '60 Topps cards are horizontal.

1962 Topps are called "Woodies." I suppose the label could also apply to 1987 Topps, but OBC officially stops paying attention in 1980. I didn't say that was right...it's just the way they do things.

"Burlap" refers to the outer edges that appear on 1968 Topps cards.

"Cool Gray" is a nickname for the 1970 Topps set, whose design has been mentioned as one that has aged a lot better than many expected.

 1971 Topps are called "Black Beauties," a name that is quite apt.

 "Psycho" is the name given to the 1972 Topps set, both as a result of its design and that little issue of the higher-numbered cards that keep many from completing it for an awful long time. Not that I'm bitter about it or anything...

And then there's the term "jiggler," which is said to refer to the 1962 and '63 Jell-O sets even though the term is rarely used. In fact, I don't recall ever hearing it used in any type of conversation.

Of course, OBC isn't alone when it comes to giving names to various sets. Right here in the Blogosphere, Night Owl is keeping a list of "define the Design" nicknames for several sets, both within and beyond the scope of what OBC deems its "window." There's one thing for certain...we collectors definitely use slang and jargon, which we can use to identify each other in our own unique geekiness.